By Sulaymon Ruqoya
Nollywood, Africa’s largest film industry, is at a crossroads. While the industry has grown in leaps and bounds, attracting global attention and amassing a loyal following, there remains a gap in how our rich cultural heritage is portrayed on screen. With the upcoming release of Lisabi, actor and filmmaker Lateef Adedimeji promised to fill that gap, offering a cinematic experience that not only entertains but educates and inspires.
Lisabi is not just another biopic; it is a bold reconceptualizing of a pivotal moment in Yoruba history. The film recounts the story of Líṣàbí, an Abẹ́òkúta farmer who led a rebellion against the oppressive Oyo Empire in the 18th century. By focusing on this iconic figure, Adedimeji seeks to illuminate the strength, resilience, and unity of the Egba people.
What makes Lisabi particularly exciting is its potential to change the narrative around Nollywood biopics. The genre has often been criticized for its predictable approach, focusing more on sensationalism and drama than substance. However, Adedimeji’s vision appears to be different. By choosing to spotlight a historical figure whose impact is both profound and largely underrepresented, he offers audiences a chance to reconnect with their heritage in a way that feels both fresh and deeply relevant.
The casting choices further add to the film’s appeal. With stars like Ibrahim Chatta, Mo Bimpe, Ibrahim Yekini Itele, Odunlade Adekola, Gabriel Afolayan, Eniola Ajao, Femi Adebayo, and Adedimeji himself, the film promises a powerhouse of talent that could deliver compelling performances and elevate the storytelling. The film’s script, crafted by renowned writers Niyi Akinmolayan and Yinka Olaoye, also suggests a production that is as rich in narrative depth as it is in cultural significance.
Moreover, the dual-release strategy, starting with ‘Lisabi: The Uprising’ on September 25 and followed by ‘Líṣàbí: A Legend is Born’ in early 2025, demonstrates a commitment to storytelling that goes beyond a single narrative storyline. It suggests a layered approach that could delve deeper into the complexities of Líṣàbí’s rebellion and its aftermath, offering viewers a more complex understanding of this historical moment.
But perhaps the most compelling aspect of this film is Adedimeji’s reasoning for making it. He has been quoted saying, “I felt the need for us to know more about our culture and tradition, and also connect to our culture. Although we have so many books about our history, I think it is slowly dying with this time of technology, people do not read anymore, and I think movies will appeal more to people. Who better to tell our story, than us.” This statement is a call to action, a reminder that storytelling is more than just entertainment, it’s a means of preserving culture and identity.
In an era where globalization and technology threaten to dilute cultural heritage, films like Lisabi are more than just movies; they are cultural artifacts. They serve as a bridge between past and present, allowing younger generations to understand where they come from and, hopefully, where they are going. If successful, Lisabi could set a new standard for Nollywood, encouraging more filmmakers to explore stories that highlight Nigeria’s rich history and diverse cultural heritage.
As we eagerly await the release of Lisabi, one thing is clear, Lateef Adedimeji is not just making a movie; he’s making a statement. And in doing so, he is challenging all of us to look back at our history with pride and to tell our own stories with the depth and dignity they deserve.